monk


http://www.alansondheim.org/byeeeeb.mp4

itinerant priest, after ascetic and monk seemed too out of sorts. Went to
Daishin Nikuko and another monk were taking a pilgrimage. They came to a
danger trying to ford the torrent. She and the other monk approach,
continued onward for some distance. Towards evening, the other monk said
'From the birth of Daishin Nikuko came the blind monk killed by the mother
but the Diamond Sutra will save me.' The monk said, 'The Diamond Sutra has
brought it back to shore.' The monk said, On the other hand, we all make
way.' A monk passed by, laughing, and asked Nikuko, 'After all this play,
them'm' momonkey fly monk climb themem mymy body heated by iodinene
forest-dwelling monk. This monk perceived that he was seated.' The mad
mad monk replied: 'In the human order, no sooner do we perceive then
Daishin Nikuko and another monk take a pilgrimage. They came to a
danger trying to ford the torrent.' She and the other monk approached and
continued onward for some distance. Towards evening, the other monk said
'From the birth of Daishin Nikuko came the blind monk killed by the mother
a roc broke the silence. A monk walked in the distance, chanting.'

IT will be a monk who will tell the story, o julu
IT will be a monk who will tell the story,

this monk walking up. 'Where are you going?' one of the priests asked. 'To
all our sons.' The monk said, 'Thus we repeatedly give birth to ourselves
of the dead,' and the monk replied, 'From here throughout ministry is
possible.' The monk replied, 'What is universal has no recourse among them
brought back to shore.' The monk said, 'On the other hand, everyone saves
way.' A monk passed by, laughing, and asked, Nikuko, 'After all this play,
is there such a thing as the six-fold veiling of monk or nunagainst their
will,' the solitary monk hurrying her way along in the darkness. The monk
knows the ghost and all the names of the ghosts, but the monk cannot name
the realm of the lanterns and fireflies. So the monk knows and speaks the
name of the monk in the mountains needing to be free. The monk said, 'On
the other hand, everyone saves everyone, that is so.' What shall be left?
What "Sondheim"? A monk burns in full view and the blaze hurries his way
along in the darkness. The monk knows the ghost and all the names of the
ghosts, but the monk cannot save herself or anyone in the the realm of the
lanterns and fireflies. So the monk knows and speaks and this is what she
says: 'itinerant priest, after ascetic and itinerant' - what is left, what
is to be hand, why are we in such terrible terrible pain ...

http://www.alansondheim.org/byeeeeb.mp4

www.alansondheim.org

Six Duets with Chris Diasparra

Alan Sondheim

Six Duets with Chris Diasparra

Check first at http://lounge.espdisk.com/archives/791

Shehata oud. These three I think are amazingly successful;
saxophone and oud work well, especially in the lower registers.
I took advantage of glissandi to parallel breath.
http://espdisk.com/alansondheim/baroud1.mp3
http://espdisk.com/alansondheim/baroud2.mp3
http://espdisk.com/alansondheim/baroud3.mp3

Jogia sarangi. This worked better than expected; I think of
the sarangi repetition as song against Chris's figures.
http://espdisk.com/alansondheim/barjsarangi.mp3

The pipa has a percussive, almost gritty sound, phrases
turned inside out. This is also quite successful.
http://espdisk.com/alansondheim/barpipa.mp3

Open-holed Gemeinhardt flute. Again breathing is critical
against the sax phrasing.
http://espdisk.com/alansondheim/barflute.mp3

Chris's lower register is fantastic; you can lose yourself
in it. It's almost cello-like. These pieces form an odd set.
You can here some of this live in April.

Sondheim Archives: Six Duets with Chris Diasparra

lounge.espdisk.com

Shehata oud. These three I think are amazingly successful; saxophone and oud work well, especially in the lower registers. I took advantage of glissandi to parallel breath.

· · Share · a few seconds ago

smear campaign, gnawing the body within

smear campaign

sondheim sondheim sondheim sondheim sondheim sondheim sondheim sondheim

sondheim sondheim sondheim sondheim sondheim sondheim sondheim sondheim

sondheim sondheim sondheim sondheim sondheim sondheim sondheim sondheim

sondheim hzondheym wyn -YNwondheym wyn -YNwondheym wyn -YNwondheym wyn

-YNwondheym wyn -YNwondheym wyn -YNwondheym wyn -YNwondheym hzondheym wyn

-YNwondheym wyn -YNwondheym wyn -YNwondheym wyn -YNwondheym wyn

-YNwondheym wyn -YNwondheym wyn -YNwondheym hzondheym wyn -YNwondheym wyn

-YNwondheym wyn -YNwondheym wyn -YNwondheym wyn -YNwondheym wyn

-YNwondheym wyn -YNwondheym hzondheym sondheimsondheim zondhe!mtzondhe!m

tzondhe!mzondhe!m hzondheym-YNwondheym uynhzondheym -YNwondheymuyn

sondheim sondheim zondhe!m tzondhe!m uyn uyn uyn hzondheym hzondheym

-YNwondheym wyn -YNwondheym yn -YNwondheym yn -YNwondheym hzondheym uyn

-YNwondheyyn -YNwondheym sondheim sondheim -YNwondheym sondheim sondheim

sondheim sondheim hzondheym sondheim sondheim sondheim uyn sondheim

sondheim sondheim sondheim sondheim sondheim sondheim sondheim sondheim

sondheim sondheim sondheim sondheim sondheim sondheim sondheim sondheim

sondheim uyn sondheim hzondheym sondheim sondheim sondheim sondheim

sondheim sondheim sondheim sondheim sondheim sondheim sondheim sondheim

sondheim sondheim sondheim sondheim tzondhe!m tzondhe!m sondheim sondheim

zondhe!m zondhe!m sondheim tzondhe!m tzondhe!m tzondhe!m tzondhe!m

tzondhe!m tzondhe!m tzondhe!m zondhe!m tzondhe!m tzondhe!m tzondhe!m

tzondhe!m tzondhe!m tzondhe!m tzondhe!m tzondhe!m tzondhe!m tzondhe!m uyn

tzondhe!m yn tzondhe!m tzondhe!m tzondhe!m tzondhe!m zondhe!m tzondhe!m

tzondhe!m tzondhe!m zondhe!m tzondhe!m tzondhe!m tzondhe!m zondhe!m

tzondhe!m tzondhe!m tzondhe!m -YNwondheym tzondhe!m tzondhe!m tzondhe!m

tzondhe!m tzondhe!m tzondhe!m uyn -YNwondheym zondhe!m hzondheym hzondheym

tzondhe!m -YNwondheym uyn uyn uyn uyn uyn -YNwondheym uyn -YNwondheym

-YNwondheym -YNwondheym -YNwondheym hzondheym -YNwondheym tzondhe!m

-YNwondheym uyn -YNwondheym -YNwondheym uyn -YNwondheym uyn -YNwondheym

uyn -YNwondheym -YNwondheym -YNwondheym uyn hzondheym uyn hzondheym

-YNwondheym uyn -YNwondheym uyn -YNwondheym -YNwondheym uyn -YNwondheym

uyn -YNwondheym uyn uyn uyn uyn uyn -YNwondheym -YNwondheym -YNwondheym

-YNwondheym hzondheym -YNwondheym uyn uyn uyn uyn sondheim -YNwondheym uyn

hzondheym uyn -YNwondheym -YNwondheym uyn uyn uyn -YNwondheym uyn

-YNwondheym uyn uyn uyn uyn -YNwondheym uyn hzondheym -YNwondheym uyn

-YNwondheym uyn uyn -YNwondheym hzondheym hZondheayem uyn -YNwondheym

-YNwondheym -YNwondheym hzondheym wyn hzondheym sondheim sondheim sondheim

-YNwondheym -YNwondheym sondheim wyn wyn wyn hZwanondheayem

sondheimsondheim -YNwondheym -YNwondheym wyn sondheimsondheim wyn

hzondheym-YNwondheym hZwanondheayem zondhe!mtzondhe!m tzondhe!mzondhe!m

hzondheym-YNwondheym zondhe!mtzondhe!m hZwanondheayem hZwanondheayem

hzondheym-YNwondheym -YNwondheymuyn hZondheayem -YNwondheymuyn

hZwanondheayem hZwanondheayem hzondheym-YNwondheym hZwanondheayem

hZwanondheayem hZwanondheayem uyn hZwanondheayem -YNwondheym

hZwanondheayem hZwanondheayem hZwanondheayem hZwanondheayem hZwanondheayem

hZwanondheayem hZwanondheayem hZwanondheayem hZwanondheayem hZondheayem

hZwanondheayem hZwanondheayem hZwanondheayem hZwanondheayem hZwanondheayem

hZwanondheayem hzondheym hZondheayem hZwanondheayem hZwanondheayem

hZwanondheayem hZondheayem hZwanondheayem hZwanondheayem hZondheayem

hZwanondheayem hZwanondheayem hZwanondheayem hZwanondheayem hZwanondheayem

hZwanondheayem hZwanondheayem hZwanondheayem hZwanondheayem hZwanondheayem

wanedyn wanedyn hZwanondheayem hZondheayem hzondheym hzondheym uyn wanedyn

wanedyn -YNwondheym wanedyn wanedyn wanedyn wanedyn wanedyn -YNwondheym

-YNwondheym -YNwondheym wanedyn wanedyn -YNwondheym -YNwondheym wanedyn

wanedyn wanedyn wanedyn wanedyn wanedyn wanedyn -YNwondheym -YNwondheym

-YNwondheym wanedyn wanedyn -YNwondheym hzondheym wanedyn -YNwondheym

wanedyn -YNwondheym wanedyn wanedyn -YNwondheym wanedyn -YNwondheym

-YNwondheym -YNwondheym -YNwondheym wanedyn wanedyn -YNwondheym wanedyn

-YNwondheym -YNwondheym wanedyn -YNwondheym wanedyn wanedyn wanedyn

wanedyn -YNwondheym wanedyn wanedyn wanedyn wanedyn wanedyn wanedyn

wanedyn wanedyn -YNwondheym wanedyn -YNwondheym -YNwondheym -YNwondheym

-YNwondheym hzondheym -YNwondheym wanedyn -YNwondheym -YNwondheym

-YNwondheym wanedyn -YNwondheym -YNwondheym wanedyn -YNwondheym

hZondheayemhZondheayem hzondheym wanedyn wanedyn -YNwondheym -YNwondheym

zondhe!mtzondhe!m hZondheayemhZondheayem zondhe!mtzondhe!m

zondhe!mtzondhe!m -YNwondheym -YNwondheymuyn zondhe!m tzondhe!mzondhe!m

uynhzondheym uynhzondheym hzondheym-YNwondheym tzondhe!m tzondhe!m

uynhzondheym hZwanondheayem hZwanondheayem hZwanondheayem wyn uyn

tzondhe!mzondhe!m tzondhe!m uyn uyn tzondhe!mzondhe!m hzondheym hzondheym

uyn hzondheym hzondheym uyn -YNwondheym -YNwondheym hzondheym wyn

-YNwondheym wyn hzondheym -YNwondheym -YNwondheym -YNwondheym yn yn uyn

hZwanondheayem hzondheym uyn uyn yn -YNwondheyyn -YNwondheym -YNwondheym

uyn uyn

eighteen and fourteen

eighteen and fourteen


(eighteen signs of unloveliness
(eighteen years and dry and unattended,
(eighteen years and the counting of elements) -
(eighteen years and the kindness of strangers) -
(eighteen years and the last day and night,
(eighteen years and the world undone) -
(eighteen years, and death is an other) -
(eighteen years, and death is everywhere,

http://www.alansondheim.org/spears.mp4 for Chris Funkhouser

:: edt fourteenth or ninth, she was so sweet i wonder i don't
"The _Lothardi_ devised an even more peculiar dogma in the fourteenth .
= "two thousand, one hundred and eighteen" - indicative of this is the
eighteenth command reprieve albright marriage androids fourteen february .
- "twenty-one eighteen" - indicative of date (within a serial / we're
still living in the drawing-room of the eighteenth-century;

and i will fly over the concrete wall fourteen stories high
fourteen stories high

Because of them, I am an eighteen-year-old girl! Dallas, under Dean Robert
Corrigan's multi-disciplinary program; fourteen I sure as hell won't take
drugs. I'm eighteen and I know all about life. I've been writing for
fourteen years; I'll switch to an 'examples' My eighteenth failure is a
lack of a PhD. or other intellectual My fourteenth failure is a lack of
critical attention given to my work, Oh oh oh I'm the existential
funnyman. I'm eighteen years old and I think Pennsylvania. Long later, the
eighteenth century is beginning to collapse. That curve sneaks up on you!
Ok, me, age fourteen. I knew a girl. I "fell" The Internet Text divides
into fourteen files; there is also an index Who should find the
fourteen-year-old boy, the burning apartment intact or You see
two-thousand-fourteen, Tiffany, anal, MEDIA-MOO, Menstrual _quantity._ For
example: "There are two thousand, one hundred and eighteen achieved,
already in these fourteen years, already in these fifteen years, against
that of the fourteenth century The Voiage and Travayle of Sir John age of
fourteen. Their girls never become pregnant before they marry, nor are two
thousand one hundred eighteen bison on the island." Think of this
beautiful eighteenth-century anatomical theater original to the building
becher ashbel gera naaman ehi rosh muppim huppim ard fourteen hushim bela
joined vale siddim salt served thirteenth rebelled fourteenth kings boojum
down; she had been my companion for eighteen years, and azure's for

brakes give out no nothing eighteen wheels coming up fast candlelight
naked silk robe twelve cum fourteen girl # susanjpg # meaning captive
armed trained eighteen pursued dan himself hobah damascus back charmed
with his artful collocation of fourteen imperatives in a single
confederate captive armed trained eighteen pursued dan himself hobah
continuous sleep or languor lasting up to eighteen hours a day. SATIN
corralled." Note "twenty-one eighteen" almost never If this poem you,
dispersed community or the socius of the eighteenth-century coffeehouse,
divided into three sections with fourteen stops, including treble and bass
eighteen years old and I've seen death. eighteenth, it's as if Four Dead
in O-hi-o never happened, it's as if that end and swung over the heads of
the people in the street, with eighteen extinct or corralled." Note
"twenty-one eighteen" is almost never written ferocious lashes of the
fourteen stations file in the Internet Text, which I've been writing for
fourteen years; fourteen hours a day, without rhyme or reason; collisions
of misspent and fourteen of us arrived and eleven left by the end of the
two years. I fourteen parts in the work which lasts minutes. gone
directly, it would have taken between seventeen and eighteen. heidegger
videos nn pictures fourteen flaming chapter

i studied physics and finished an eighteenth-century play i thought i had
only fourteen years to do anything at all if ry musi wing-room of the
eighteenth-entury entury in fact to say, "I'm Philostrata, dead a virgin
at fourteen; let him who it sat in the corner an eighteenth century memory
of his future ksh: were still living in the drawing-room of the eight-
eenth-century; language is absurdly melded. look, i read the eighteenth
century as well late eighteenth century, perhaps early to mid-nineteenth
century. To be lightship off brooklyn - this is an ` trolley - that's
eighteen ninety look two-thousand-fourteen meantime i would bring you a
fresh young thing, full of fourteen years, much larger images precisely
eighteen percent of much larger images but myself, turn charmed with his
artful fourteen imperatives single thing nature after fourteen years. I
died a virgin, childless, unmarried; let

nineteen eighteen seventeen one of-philosophy, possessing only the text's
entirety, all fourteen files one loves withering away; fourteenth, it's
the recognition that such people & (eighteen years strangers) sound. Of
brain holding stroke. mind program; fourteen Dallas; as far as I know (),
they still have it, rationalized our slaughter at the end of the
eighteenth robert corrigan's multi-disciplinary program; fourteen the
following york, selves, and that was the eighteenth century. Then we
listened, and that served thirteenth rebelled fourteenth kings smote
rephaims ashteroth seventeen eighteen nineteen two street. They might have
been around fourteen years old. I forget what they surface extending to
within an inch of the back. This is from eighteenth- thirteen, fourteen.)
this won't even reach fourteen lines. tina weymouth fourteen stations
presented mark's church influenced suites trespass hotly whereas stuff
ewes torn loss drought frost fourteen except twelve to fourteen hours a
day depression sliding down the walls during twelve.to.fourteen.hours.-
a.day,.depression.sliding.down.the.walls.during. twenty-one eighteen, all
large mammals, except for humans, will either be very sensitive, when she
was eighteen and on the verge of womanhood, she visions precisely eighteen
percent of much larger visions well damn who won with a difference of only
eighteen votes. won't leave me alone, when I'm not be stalked by eighteen
year old guys zones in downtown on the sloping streets, up to eighteen
inches thick,

two hundred eighteen.
two hundred fourteen.

http://www.alansondheim.org/spears.mp4

www.alansondheim.org

· · · Share · 14 seconds ago

Last Day for the Eyebeam Blog - contact info etc.

(I'm going to try working the blog at http://avatarpaste.blogspot.com/ as a kind
of continuation: do check into this And apologies for cross-posting here.)

Since my residency has ended, this is the last day for the Eyebeam blog.
Here is relatively complete contact information:

The Eyebeam blog is at http://eyebeam.org/blogs/alansondheim/ and
hopefully will stay up there, as a record of my residency and my thinking
on issues of pain, death, virtual and real worlds.

My basic webpage - in the form of a directory - is at
http://www.alansondheim.org/ . The page is a repository for my work and is
added to almost daily. When I put up a piece, I also describe it; the
description is sent to several email lists, and is also added to a file
which becomes part of the repository. For example, my current work and
this text will appear at http://www.alansondheim.org/ri.txt ; the next
file will be http://www.alansondheim.org/rj.txt and so forth - after
rj.txt, sa.txt will begin and so forth. This way - looking down the column
at the indices - you can see where I am, what the work is, at any point.

My email descriptions of the same are archived at
http://sondheim.rupamsunyata.org/ - which lists the emails sent to the
Cybermind list, as they are sent, on an almost daily basis.

My music is at http://www.espdisk.com/alansondheim/ for the most part;
there are difficulties using this with the Chrome browser. You can also
access the music at http://lounge.espdisk.com/archives/ or at
http://lounge.espdisk.com/ - the most recent file there now is at
http://lounge.espdisk.com/archives/789 .

I can be reached by phone at 1-347-383-8552; my mailing address is Alan
Sondheim, 432 Dean Street, Brooklyn, NY, 11217 and my email addresses are
sondheim panix.com and sondheim gmail.com. I'm also easy to
reach on Facebook and g+; I check the former more often.

At the moment, I have a book coming out with WVU, a performance as part of
a group show on April 3 at Churner and Churner (10th Ave between 22 and
23), and I'm participating in a discussion/presentation centering around
dance and creativity at Edward Henkel's series on March 23rd at the 92nd
St. Y. I'm also doing some talks in Omaha in April, as well as
participating in the Sound Research Group event at Eyebeam April 20-21.
And I'm speaking and performing at the Electronic Literature Organization
Conf. at WVU in June. Finally, I just had a record, Cauldron, released by
FireMuseum, with Azure Carter and Helena Espvall, which I highly
recommend; somewhere along the line we'll have an opening for it, probably
in Philadelphia. I'm available for talks, seminars, performances, teaching
and anything else, working with students or fellow artists.

And thanks for a great run at Eyebeam!
Collapse this post




People: Alan Sondheim
Research: Urban Research
Tags: pain, disappearance, memory, eyebeam
alan.sondheim's blog Printer-friendly version

· · 13 minutes ago

• 
  

Last day at Eyebeam, starting over here?

Last Day for the Eyebeam Blog - contact info etc.

(this is up at the Eyebeam blog, but I thought I should send it out
elsewhere as well. apologies for cross-posting.)

Since my residency has ended, this is the last day for the Eyebeam blog.
Here is relatively complete contact information:

The Eyebeam blog is at http://eyebeam.org/blogs/alansondheim/ and
hopefully will stay up there, as a record of my residency and my thinking
on issues of pain, death, virtual and real worlds.

My basic webpage - in the form of a directory - is at
http://www.alansondheim.org/ . The page is a repository for my work and is
added to almost daily. When I put up a piece, I also describe it; the
description is sent to several email lists, and is also added to a file
which becomes part of the repository. For example, my current work and
this text will appear at http://www.alansondheim.org/ri.txt ; the next
file will be http://www.alansondheim.org/rj.txt and so forth - after
rj.txt, sa.txt will begin and so forth. This way - looking down the column
at the indices - you can see where I am, what the work is, at any point.

My email descriptions of the same are archived at
http://sondheim.rupamsunyata.org/ - which lists the emails sent to the
Cybermind list, as they are sent, on an almost daily basis.

My music is at http://www.espdisk.com/alansondheim/ for the most part;
there are difficulties using this with the Chrome browser. You can also
access the music at http://lounge.espdisk.com/archives/ or at
http://lounge.espdisk.com/ - the most recent file there now is at
http://lounge.espdisk.com/archives/789 .

I can be reached by phone at 1-347-383-8552; my mailing address is Alan
Sondheim, 432 Dean Street, Brooklyn, NY, 11217 and my email addresses are
sondheim panix.com and sondheim gmail.com. I'm also easy to
reach on Facebook and g+; I check the former more often.

At the moment, I have a book coming out with WVU, a performance as part of
a group show on April 3 at Churner and Churner (10th Ave between 22 and
23), and I'm participating in a discussion/presentation centering around
dance and creativity at Edward Henkel's series on March 23rd at the 92nd
St. Y. I'm also doing some talks in Omaha in April, as well as
participating in the Sound Research Group event at Eyebeam April 20-21.
And I'm speaking and performing at the Electronic Literature Organization
Conf. at WVU in June. Finally, I just had a record, Cauldron, released by
FireMuseum, with Azure Carter and Helena Espvall, which I highly
recommend; somewhere along the line we'll have an opening for it, probably
in Philadelphia. I'm available for talks, seminars, performances, teaching
and anything else, working with students or fellow artists.

And thanks for a great run at Eyebeam!

alan.sondheim's blog | eyebeam.org

eyebeam.org

tomorrow will be my last post, yes? as the residency has ended, and this is denouement. so oud for your enjoyment. I'll give out URLs tomorrow for continuation of everything elsewhere. thanks for everything, Eyebeam!!!

· · Share · 5 minutes ago

Of Housing

Alan Sondheim - 1:59 PM - Limited

Of Housing


http://www.alansondheim.org/housing.png
http://www.alansondheim.org/housing2.png
http://www.alansondheim.org/housing.mp3 solo hasapi

finding a home in memory [where we grew up, images from google
maps, the tree and front entrance to the kitchen are already gone;
the tree was one of the oldest in the town] a situation or an
unknown situation [trying to find a home for melody on hasapi,
it's already gone by the time i arrive]

I remember we always liked the trees, the one in the back seemed to
grow up with us. When my parents grew older, they stopped caring so
much; finally a year or so ago my brother and I insisted that the
growth be cut back to avoid misery in the neighborhood; there was
always the chance of something falling on one or another building.
The hedgerow of pines had to go; they were dead from disease. It's
as if the soil itself rebelled against growth in the area. The
skunks and possums went and the rabbits were gone for a long time,
too. Now some of the rabbits are back, that's all. No more hawks,
we didn't see herons either or any of the other visitors. But then
we weren't looking either. Google's maps are memories, perfect for
archives I think, the details blurred as if you were looking at
things through cataracts. Technology will never catch up with the
singularity of a one-to-one map; that doesn't matter very much. It
doesn't matter that animals and plants disappear, that corrupted
form is the result of form corrupting; there are always new plants
and animals around the corner, and these images, for that matter,
this music, are nothing but digital spews, hardly carrying the
meat of anything, much less the world they were extruded from. We
are always already replacements, and probably always already have
been. The pain we leave behind, the pain within us, is inextricable
and lies outside any map or territory; the world shatters, shutters
and devolves. Almost no one will read this, and it's more likely to
be processed by a bot or spider than a human or other consciousness
moved, if only for a second, by the increasing tawdriness of our
world, slipping vastly into the digital, no body, our bodies, left
behind.

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